world — Insubornavel
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EUACRITERION22/07/2026

“A Radical Democracy of Images”: Mike Mills on His Work Outside of Feature Filmmaking

Kim Hendrickson · Criterion

The following interview was conducted in December 2025, as Criterion Collection executive producer Kim Hendrickson and director Mike Mills were working to prepa…

EUACRITERION22/07/2026

The Films of Mike Mills: A Human Space

Joachim Trier · Criterion

I cried the first time I saw a Mike Mills film. It happened at a screening of his first film, Thumbsucker, at the Oslo Film Festival. It must have been 2006, an…

EUACRITERION21/07/2026

Get Me Out of Here: Harry Dean Stanton in Straight Time

Jonathan Lethem · Criterion

Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in…

EUACRITERION21/07/2026

Cruel Story of Youth: A Blank Generation

Chris Fujiwara · Criterion

At the beginning of Cruel Story of Youth (1960), the title splashes across the screen in fiery red. Each of the three Japanese words that appear offers a key to…

EUACRITERION17/07/2026

The Criterion Channel’s August 2026 Lineup

Tushe: Criterion

Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the …

EUACRITERION14/07/2026

Hud: No Place for Heroes

Gabriel Miller · Criterion

In May of 1962, when Martin Ritt arrived in the Texas Panhandle town of Claude to begin filming Hud, he may have sensed that his career was about to change. Hud…

EUACRITERION14/07/2026

Alice Doesn’t Live Here Anymore: At Home in the World

Stephanie Zacharek · Criterion

One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wi…

EUACRITERION14/07/2026

The Crying Game’s Legacy as Transgender Representation

Willow Catelyn Maclay · Criterion

The legacy of Neil Jordan’s The Crying Game has become inextricably entangled with a defining trope of AIDS-era mainstream queer representation: the revelation …

EUACRITERION14/07/2026

The Crying Game: Identity Crises

Tasha Robinson · Criterion

On October 30, 1992, the Provisional Irish Republican Army set off two bombs as part of an ongoing campaign against British rule in Northern Ireland. One, a sma…

EUACRITERION09/07/2026

Věra Chytilová’s Boldly Antiauthoritarian Take on Teen Horror

Grace Byron · Criterion

Deep Dives One of the most mischievous figures in world cinema, Věra Chytilová is still best known for Daisies, the daring 1966 film whose gonzo vision of femal…

AUSTRALIASENSES OF CINEMA03/08/2026

Filmmaking at the end of the world: The Quiet Earth

Gregory Bennett · Senses of Cinema

Is there a more convincing definition of Aotearoa New Zealand cinema than Geoff Murphy’s three-film directorial run of Goodbye Pork Pie (1981), Utu (1983), and …

EUACRITERION02/07/2026

Courtney Love Looks Back on Her Life as a Movie Star

Yasi Salek · Criterion

I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Call…

AUSTRALIASENSES OF CINEMA30/07/2026

Crimes Against Reality: Speculation and the New Red Order

Max Bowens & Candice Strongwater · Senses of Cinema

This article has been peer reviewed. It was the winter of 1637 and tulipmania was in full swing. In Holland, the price of tulips – an exotic new export from Cen…

EUACRITERION30/06/2026

It Was Just an Accident: The Humanity of Doubt

Sheida Dayani · Criterion

The distinction between social and political cinema is not always clear. The former category, which focuses on realistic portrayals of the everyday lives and st…

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