Jorge Furtado: ‘Toda comédia é política, fala das mazelas e, rindo, corrigem-se costumes’ — Insubornavel

Jorge Furtado: 'All comedy is political; it speaks of grievances and, through laughter, corrects customs'

By Conversa Bem Viver27/08/2026 às 17:1038 views
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Brasil de Fato

The new feature film by director and screenwriter Jorge Furtado, "Muito Prazer", could not bring to the screens a more relevant topic:DeepfakeDigital pornography, artificial intelligence, and the lucrative market of the 21st century.Content platforms.

With a cast including Luisa Arraes, Daniel de Oliveira, and Samantha Jones, the production follows the story of three talented young people without money who, to pay their bills and survive, decide to reopen a failed motel. Facing financial difficulties, they start filming guests, promising to protect their identities, and posting the images online to generate income. What begins as a typical light and funny comedy quickly transforms into a powerful social critique on the indiscriminate use of artificial intelligence and the commodification ofDigital Intimacy.

To: (Note: The provided text is incomplete. Assuming the intended content is about a journalistic article, the translation would begin from a complete sentence. For a more accurate translation, please provide the full text.)Text: Good Living ConversationFurtado argues that humor is the ideal vehicle to prompt deep reflections on contemporary behavior. "We're living in this world of algorithms, which tell us we should like this or that, people trying to police and categorize desires," he states.

According to the director, debating topics such as pornography on the internet is urgent so that young people understand the importance of consent and privacy. "Every comedy is political. Every comedy speaks of the ills of society and, laughing, points out ways to correct customs," the filmmaker states, emphasizing that the film aims to alert about the dangerous advancement of practices that violate others' intimacy, without falling into hypocritical speeches.

Jorge Furtado points out that pornography has always existed and it wasn't the internet that inaugurated this consumption. Therefore, the way forward is not to prohibit, but to regulate and set limits. "It [pornography] has existed since the system was invented. Pompeii is filled with erotic images on the walls. This is part of human nature, of human sexuality. Nobody is going to prohibit that, but we need toto prevent a child fromYou need to prevent content from being collected without authorization," he assesses. "There are several things you need to pay attention to regarding how the internet handles this.

The ethical discussion proposed by "Muito Prazer" also extends to the use ofDeepfakesAnd to attempts at legal regulation in the virtual environment. For Furtado, the judgment on the truthfulness of technologically manipulated content should not be based solely on visual criteria. "It won't be legislation or the law that will say what is realism and what is not realism. These issues are not aesthetic issues. They are ethical issues," he warns. The director argues that the discussion should focus on the discourse and the responsibility of the speaker, rather than the technical tools used.

"The film is meant to entertain, and audience reactions so far have been great; people are laughing a lot, but it also makes them think, I believe that's important," the filmmaker defines.

Known for significant works in Brazilian cinema, such as "Basic Sanitation" and "Island of Flowers," Furtado emphasizes the transformative role of culture and the importance of making it accessible to the public.National productionsAnd it extends an invitation to the public to appreciate the reflective potential that cinema can offer: "Watch a movie in the cinema. It's a unique experience to see a film on the big screen."

Check out the full interview:

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